6.9.16 - On Planning, Tracking, and Rewards (Perfection Series, Part IV)

On Planning, Tracking, and Rewards

I’m wrapping up the series on perfection today. We’ve discussed how perfection can be paralyzing, and also how it can push you to great success. I think it’s also important to talk about HOW we beat this pernicious beast. Because in the end, the only thing that matters is finishing your manuscript.

All creatives experience fear and resistance. The professionals are the one who conquer them.


There are many ways up this particular mountain, all of them worthy. But I think there is an overarching functionality that can be applied to the process of finishing, regardless of which method you choose. 

First, and most importantly, you have to find your time.
 

Whether you’re getting up 30 minutes early to write before anyone in your houses rises, staying up after your people go to bed, or you have all day to yourself, every creative has a sweet spot during which their creativity levels shoot through the roof. If you don’t already know when your creative sweet spot is, start experimenting. Work in the morning, the afternoon, the evening. See what feels right. Then rebuild your world around that time.

My very best time is from 2–6pm in the afternoon. I try to get going well before that, but I really hit my stride in the late afternoon. Knowing I work better during that time frame, I usually do business in the morning, then I turn on my Freedom app and block everything else out for some serious deep work time.

Second, once you’ve found your ideal time, guard it with your life.
 

No one will respect your time if you don’t respect it yourself. Create a proverbial lion’s den for yourself. Lock doors, make signs, whatever you need to do, but train those around you to stay off your creative lawn from X o’clock to X o’clock, and don’t allow anyone to deviate from this (including you) unless it’s a real emergency. It might be difficult at first, but people are malleable. They’ll come around. 

Third, when you do have your sweet spot and you’ve created your lion’s den, don’t waste time inside of it.
 

Fifty years from now, which would you prefer to be known for: writing great novels (paintings, stories, sculptures, etc.) or having a fantastic Facebook page? Stay focused. Set a timer, use an Internet blocker like Freedom, hang a Sword of Damocles above your desk—whatever you need to stay on point, do it. 

Fourth, create your quantifiables.
 

This is the reward system you have in place to keep you motivated. By reward I don’t mean a bucket of chocolate every 100 words. I mean a system for tracking your work. I use these spreadsheets. I love the detail I can create—from time served (ahem, spent) in the chair to how many words I get a day. I can set goals, track my word output from month to month, annually, every thing. I’ve been using this system for years, and it works great. 

But for fun, I have added a second tracking system. Remember back in school, you’d get a gold star or a silver star on your paper when you’d done a good job? My friend Victoria Schwab has invented this means of reward, only for adult creatives.

I've been getting asked fairly frequently about the "calendar trick" I'm always referring to, so I decided to make a little video explaining what it is, and why it's awesome. I first heard of this trick from Jessica Spotswood, who learned it from Erin Bow.

Visual goal tracking is a huge help when you’re trying to stay on target. I’ve adapted this for myself, with a calendar I can bring with me everywhere, and slightly different measurables. It’s wonderful to be able to glance at the month view and see where you are. 

Four steps to success: Find your time, create your lion’s den, do the work, measure the work. Simple. Straightforward. Doable.
 

I can hear some of you, right now, saying, “But JT, why do I need to track all of this. What a pain, what a hassle.”

To which I say, bosh. All professionals track their productivity in some way. If they don’t track it themselves, their bosses track it for them. In the professional world, if you don’t meet your goals, you get fired. Why is creativity any different?

Yes, you’re a creative, but you’re also in business.
 

The sooner you cast aside the dewy-eyed notion that you’re only in it for the exploration, the faster you’ll start to see success. 

How do you measure your success? Is it word count, books published, sales? Reviews, followers? Money earned? 

That, my dears, it completely up to you. 

Whatever measure you go by, consistency is key. You have to hold yourself accountable if you have any hope of building a career in the arts.
 

And with that, here endeth the series. 

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J.T. Ellison

J.T. Ellison is the New York Times and USA Today bestselling author of more than 25 novels, and the EMMY® award winning co-host of thJoss Walkere literary TV show A WORD ON WORDS. She also writes urban fantasy under the pen name Joss Walker.

With millions of books in print, her work has won critical acclaim and prestigious awards. Her titles have been optioned for television and published in twenty-eight countries.

J.T. lives with her husband and twin kittens in Nashville, where she is hard at work on her next novel.

3.31.16 - NO ONE KNOWS Roundup

NO ONE KNOWS cover

Whew!

For me, the past few weeks have been a whirlwind—but in the best kind of way. My beloved five-year project NO ONE KNOWS is finally out into the world, and I'm so tickled/thankful/relieved that you guys are enjoying it. 

You just never know what'll happen when you switch gears, ya know?

At any rate, for your entertainment, I've gathered up the articles, interviews, endorsements, and some of my favorite reviews of the book. After collecting all of this in one place, I can see how I actually wrote 1/4 of a novel in nonfiction about this book (20,000 words, folks). 

Enjoy!

_______

Recognition

SIBA 2016 Winter Okra Pick

Book of the Month Club – April 2016 Selection

She Reads Spring 2016 Book Club Selection

 

Written Interviews & Features

InD'Tale Magazine

Southern Writers Magazine

Chapter 16

SIBA's Lady Banks newsletter

Reddit AMA (Ask Me Anything)

CAFTAR: What I'm Reading, Page 69 Test, and My Book, the Movie

Working Mother

Parnassus Books' Musing Blog

BookReporter

The Fresno Bee's Library column

My Book, the Movie

The Page 69 Test

Writers Read

She Reads

Off the Shelf

CBS Local

When I met with TN Ledger journalist Zack Barnes, I had no idea he was going to do three articles about me: three. But he did. And I'm so honored to be young journalist's first cover story. Here are articles onetwo, and three.

BookBub has been giving the book all sorts of love, naming it one of Ten New Thrillers to Read this Spring and one of 16 Books Compared to 'Gone Girl'

Fresh Fiction included NO ONE KNOWS in their quarterly mystery box

A nice feature on 2nd & Church online

XOXO After Dark featured the first chapter of the book

On Criminal Element, I talked about the dream that inspired NO ONE KNOWS. It may have included my husband, Opryland Hotel, and Harlan Coben.

For Southern Writers Magazine's Suite T blog, I wrote about my fears and journey to writing a standalone novel.

I also had a delightful conversation with Lori's Reading Corner!

It's always an honor to be part of The Big Thrill. I appreciate all the love ITW has thrown me over the years!

*We still have a couple more things in the works... I'll let you know as they pop up!

 

Audio Interviews

It's been a while since I've been on Suspense Magazine Radiobut it was such a blast!

It's always lovely to talk to my friend, Libby Hellemann. On Second Sunday Crime, we chatted about NO ONE KNOWS, writing, and the best wine out there.

I loved the premise of the Creative Push Podcast. Host Youngman Brown was a delight to talk to. Creatives, this is a podcast for you.


Reviews

Some of my favorites were:
 

Dream by Day Book Reviews (she knows how to style a photo—so elegant!)

Two Fangs About It

Book Splot Reviews

Project Fandom

All About Romance

Judith D. Collins Must Reads

The Reading Chick

Fallen Over Book Reviews

Red Carpet Crash

Page One

Murfreesboro Daily Journal

Fresh Fiction

Suspense Magazine

And here are the trade reviews you've seen:
 

“Riveting . . . a skillfully plotted story that's equal parts mystery, psychological thriller, and cautionary tale. Ellison's twists are fresh . . . and the novel's action-packed conclusion will shock.”
Publishers Weekly

“The unreliable female narrator is all the rage, and Aubrey Hamilton is up there with the slipperiest of them all.”
Kirkus Reviews

“The reader becomes enthralled with Aubrey and her life while also desperate to learn answers. The payoff succeeds in surprising.”
Booklist

 

Endorsements

“You think GONE GIRL couldn't be topped, try Ellison's web of betrayal, lies and deceit. And wonder --”
Catherine Coulter, #1 New York Times bestselling author of NEMESIS
 

“Enthralling! Ellison's twisty, turny thriller is my kind of novel; interesting characters, complex plotting, and an ending you'll never see coming. Suspense at its finest!”
Lisa Gardner, #1 New York Times bestselling author of FIND HER
 

"J.T. Ellison's stand-alone thriller is a slow burn suspense that heats up, page-by-page, until the shocking end. NO ONE KNOWS is unputdownable, a gripping story that begs to be read in one sitting."
Allison BrennanNew York Times bestselling author of NO GOOD DEED
 

“Clever and compelling, JT Ellison’s NO ONE KNOWS is a page-turner full of unexpected twists and surprises. Pour a glass of wine, settle down in your favorite chair, and get ready for an entertaining roller coaster of a read. JT Ellison is a fast-rising star.”
Jeff AbbottNew York Times bestselling author of THE FIRST ORDER
 

“Reader beware: In NO ONE KNOWS J.T. Ellison has created a masterful game of cat-and-mouse—with Ellison being the cat and us readers her prey. My favorite kind of story—I loved it.”
Erica SpindlerNew York Times bestselling author of THE FIRST WIFE and THE FINAL SEVEN
 

“NO ONE KNOWS grabs you from the start and doesn’t let go. A compelling thriller about loss, betrayal, and buried secrets, it’s a book you’ll devour, trying to guess what’s going on and what will happen next. The twists are genuinely—and satisfyingly—shocking. J.T. Ellison has written another winner.”
Meg Gardiner, Edgar Award-winning author of PHANTOM INSTINCT
 

“J.T. Ellison has created one hell of a brain-bender. NO ONE KNOWS is a masterfully written shell game in which a grief-stricken woman is forced to reckon with her past until everything she believes about love, hope, and trust is tested. Ellison’s storytelling powers are on sharp display in this literary thriller, proving that no one is who they claim to be and everyone has secrets worth protecting. Compelling, perceptive, unsettling and with an ending so on point I wish I could read it again for the first time. I inhaled this novel.”
Ariel Lawhon, author of FLIGHT OF DREAMS
 

“Like a nerve-shredding trip through a carnival house of mirrors, NO ONE KNOWS left me breathless. Ellison's deft, seamless prose makes her devilish twists look effortless, and her sleight-of-hand with the facts of Aubrey Hamilton’s troubled life keeps the tension wire-high. NO ONE KNOWS is razor-sharp, shocking, and delicious.”
Laura Benedict, author of CHARLOTTE’S STORY

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J.T. Ellison

J.T. Ellison is the New York Times and USA Today bestselling author of more than 25 novels, and the EMMY® award winning co-host of thJoss Walkere literary TV show A WORD ON WORDS. She also writes urban fantasy under the pen name Joss Walker.

With millions of books in print, her work has won critical acclaim and prestigious awards. Her titles have been optioned for television and published in twenty-eight countries.

J.T. lives with her husband and twin kittens in Nashville, where she is hard at work on her next novel.

My Favorite Writing Books

 

A wise woman once told me, sometimes you eat the bear. Sometimes, the bear eats you.

This week, I am being eaten, bite by scrumptious bite, by the bear. So please forgive this rather truncated post.

Earlier this week I was asked what my favorite writing books are. I have several, books that influenced me, books that I read over and over, books I think are vital to the writer's process, and to the craft itself. Here are some of my favorites: (click on the link for more suggestions)

On Writing - Stephen King

The gold standard. When I'm approached by writers who are just getting their start, this is the book I send them to first. I tell them, if it speaks to you, you're a writer. If it doesn't, you may want to think about another path. I didn't read this until 2006, and it was like lightning struck my brain.

Write Away - Elizabeth George

Should the previous book speak to you, this is the next on the list. A perfect nuts to bolts book that gives tips on everything from building story to defining characters and outlining. 

Forest For The Trees - Betsy Lerner

The first writing book I ever read. It changed me in many ways, and showed me the path that I eventually found myself on. Well worth it.

The War of Art – Steven Pressfield

This one is for anyone who wants to be a creative - for that matter, anyone with dreams unfulfilled should read Pressfield's little gem. You hear me talk about resistance a lot. Here's the book I got that from. It's a hugely important book, and one I strongly recommend.

P.S. You will see a consistent path from here on out. Interestingly, books about craft aren't as important to me as books about process.

The Creative Habit – Twyla Tharp

I loved this one from dancer/choreographer Twyla Tharp. It's a great book about creating good habits, organization, and other lovely bits. Some of it I already did, and some I added into my routine. Most important rule of all - build your habits, then stick to them.

Bird by Bird - Anne Lamott

The definitive guide to the writing life, by a woman who's both acerbically funny and poignantly truthful. 

Hamlet's Blackberry - William Powers

A superb book about the history of communication and the ways modern technologies change the world. Also awesome for its tips on ways to unplug from the grid. My favorite of all the productivity books I've read.

The Artist's Way - Julia Cameron 

A little honesty for you. Once the excitement of the debut year is over and the reality of being a working writer sets in, that's when the voices start. External and internal, from reviews and reader emails to editor and agent inputs, everything starts changing. Sales goes up and down, proposals are loved and changed, or hated and revamped. The vacuum we start in, writing a little book in our spare time, mostly for ourselves, to see if we can do it, suddenly turns into the machine that controls your life. it's very easy to get thrown off track when things aren't going perfectly. And this is publishing, folks. Trust me when I say, things NEVER go perfectly. For anyone. So when the going gets tough, the tough do THE ARTIST'S WAY. It changed my world, and I'm sure it will change yours too. But it doesn't work unless you're at a certain point. Heck, it doesn't even apply until you're at a certain point. 

The Writer's Journey - Christopher Vogler

I shouldn't call this one of my favorites, because truth be told, I hated it. I've always just written from my gut, and didn't realize that I was following a pattern that had been developed practically since the first people got together under the stars and told tales of their day chasing mastodons. I adore mythology, and somewhere along the way I think I got a sense of story from that. But realizing it wasn't my own method ticked me off royally, and then I started thinking in Vogler's terms, and suddenly, everything was about the three acts, and the Hero's Journey, and it wrecked me for a couple of years. So don't read it. (But if you do, it's a fantastic journey, and it will help you identify the areas of your story that might be sagging. But you'll never watch a movie the same way again. So you've been warned.)

That should be enough to get you started.

Want to share some of your favorites in the comments? I'd love to hear what you like, too!

Open Thread: Taking Suggestions Regarding My Bulging Office

It's that time of year. School's back in session, and despite being absent from the frivolities for many years, September always feels like the time for new beginnings. While I was on vacation, I did some planning for the year ahead, and a lot of thinking about the current state of my creative affairs, and came to a somewhat DUH conclusion - I have a great office, which I don't use because it's not set up properly. Instead, I work pretty much anywhere I can that's NOT my office.

This must change.

So here's my current dilemma. I am out of space. Every nook and cranny is crammed full. Half used notebooks and legal pads, foreign editions, multiple boxes full of old manuscripts. Notecards and birthday cards and art that hasn't been rehung since I painted. Oodles of books, but also just oodles of stuff. On the surface it sort of looks clean and organized, but it's not. It's malingering quietly out of sight. And sending off some very uncreative vibes. The child in me recognizes that like unloved toys, unloved and abandoned accoutrements are very sad. But something must be done if I'm going to move back into my space.

I hate to throw away decent things - but it's clear from the detritus that I'm not using 80% of what's in here. I know the art of decluttering - take everything out and only replace what I use. So what do I do with what's left over?

Any ideas? Places I can donate to? I'm all ears.